Thursday, 28 February 2013

New Assignment 2





Radio Show Assignment



After several weeks of researching radio shows by logging several of our own listening diaries, we have seen how different shows use different interpretations to style, format, audience interaction and different paces or volume of content i.e. concise, expansive. We did  this in order to understand the make-up of radio broadcasting so we could in turn produce our own broadcast show. Our given assignment is to produce a show of our own in a style of our own.




My Show: ‘What’s Next? The Future of Music’

I have decided to produce a documentary style radio show on the future of music and where the music market is headed in the United Kingdom. This idea was evoked after the possible sale or liquidation of HMV, who will take over on the high street? And what do the public think the future of music is? To do this I will find relevant sources, I will interview Tom Buchart who owns the one and only brilliant Teesside independent Sound It Out! I will possibly interview two HMV employees and several members of the public and ask for their views on HMV’s retail disaster (why do they think this happened? What’s the most likely reason this happened?). I will also include the popularity of music formats i.e. mp3, CD, vinyl and is vinyl experiencing a revival? is the internet an easier option for music shopping? Who is most likely going to cater for music on the high street? And finally my conclusion and focal point of the programme... is this all due to bad karma for driving out competition in the first place?


This article from the BBC web page explains what's happened since the company announced it was going into administration in January 2013


http://www.bbc.co.uk/news/business-21517862






Radio Show Treatment




Radio Show Name:  What’s Next? The Future of Music
Running Time: 5 Minutes
Presenter: Myself, Ben Hale
Style: Community, Entertainment



Structure

I want the structure to be typically of a documentary style radio programme for example: 
‘Presenter introduction, music bed, contributor, music bed, contributor, presenter'
The desired style of the programme will be upbeat, educational and entertaining. It will be targeted
at those who are mainly interested in those who prefer alternative music to mainstream music featured on commercial radio.

Contributors
I will interview local independent record distributor Tom Buchart of SounditOut! the last record store in Teesside. Along with that I will interview local independent musician James Morrison and ask his opinions on what its like in the music industry part of an independent group his drone metal band Cromlech. I will also interview record collectors and ask their opinions of the current state of music retail in Great Britain.

Pace
I want the pace of the programme to be slow but maintain interest with the audience with an upbeat educational approach to opinions of the music industry at present day and the current state of  high street music retailers.



Music Bed

Ideas for the music bed will include ‘MF Doom - Vomitspit' 'Elliott Smith - Kiwi Maddog 20/20' 'Mogwai - The Sun Smells Too Loud'




Wednesday, 6 February 2013

Listening Diaries...


Over the past three weeks, we have been listening to a range of different radio broadcasts, we began by listening to BBC Four programme, Stephen K Amos's comedy segment 'Life: An Idiot's Guide'. I went onto listen to various other more relevant documentaries regarding assignment 2.

After comparing some of the material I have listened to I can see clear differences from one radio station to the next, this is due to the target audience, differing culture and interests and the format for each broadcast show. If you listen to a talk show, it becomes an interactive forum for debate, or merely to entertain. If you are listening to a documentary you may learn things about a certain subject that you wouldn't previously know, this is educational. I have learnt that most music programming does transcend age, even though young people who listen to jazz may fall into a minority, it is still permissible that they contribute greatly to its relevance in the industry today. Overall I have listened to alternative radio, because this is something I personally can identify with.




LISTENING DIARY WEEK…….
22/05/2013
…………………………………………

Name of Station:
XFM Live
Programme name:
 On Air: XFM London
Target audience:
25-50
Genre:
Music
Format:
Pre-recorded
Structure:
Introduction, track, contributor, music bed, track, contributor, 
music bed, track, advert...
Contributors:
DJ Jo Good
Ethical/ legal regulatory issues
Royalties for the use of selected artists' music
Evaluation of programme:
 It was refreshing to listen to an alternative station, I'd say DJ Jo Good's
set appealed to an older audience selecting music from the likes of
R.E.M. Morrissey, James and Patti Smith, all artists I can listen to.


LISTENING DIARY WEEK…….
15/05/2013
…………………………………………

Name of Station:
BBC Radio 6 Music
Programme name:
6 Music Live Hour - Mogwai - Archive Content (2001)
Target audience:
20-40
Genre:
Music
Format:
Pre-recorded
Structure:
Introduction, live performance...
Contributors:
Mogwai
Ethical/ legal regulatory issues
Royalties for the use of Mogwai's music
Evaluation of programme:
 The programme was recorded in 2001 at Reading Festival,
it wasn't the best live bootleg I have heard,
the quality wasn't pristine, and the band only played two tracks,
but the recording still lasted for a duration of 30 minutes
and 8 seconds.



LISTENING DIARY WEEK…….
09/05/2013
…………………………………………

Name of Station:
BBC Radio 6 Music
Programme name:
Marc Riley's Musical Time Machine: The Ramones
Target audience:
18-40
Genre:
Music
Format:
Pre-recorded
Structure:
Introduction, Marc Riley, Music Clip, Pre-recorded
interview with The Ramones 1977, Marc Riley, Outro
Contributors:
Marc Riley, Bob Kilby and The Ramones
Ethical/ legal regulatory issues
Royalties for the use of The Ramones' music from sire
Evaluation of programme:
 The programme is a nostalgic journey through 1977 a
  and The Ramones's impact on the UK punk scene.
 For a musically minded audience




LISTENING DIARY WEEK…….
10/03/2013


…………………………………………




Name of Station:
BBC Radio Four
Programme name:
The Real George Orwell: Down and Out In Paris and London (1/10)
Target audience:
36-66
Genre:
Documentary
Format:
Pre-recorded
Structure:
Presenter, contributor, reading, presenter, reading, contributor
Contributors:
Peter Davison, Frances Stonor Saunders, DJ Taylor, Hugh Wilford
Ethical/ legal regulatory issues
 None
Evaluation of programme:
 The programme has objectified Orwell, and looks into
what really effected him during his research for
Down and Out
In Paris in London, there are all in all 10 episodes,
I find that the target audience would be mature scholars or
book collectors, or those who are merely interested in the life of the
notorious figure of socialism and politics.
Caters predominantly to a middle class audience.


LISTENING DIARY WEEK…….
21/02/2013

…………………………………………

Name of Station:
BBC Radio 6 Music
Programme name:
The Radiohead Story Episode 2
Target audience:
18-40
Genre:
Music
Format:
Pre-recorded
Structure:
Introduction, Presenter, Music Clip, Thom Yorke, Ed O' Brien, Jonny Greenwood, Colin Greenwood, Presenter, Music Clip...
Contributors:
Steve Lamacq, Thom Yorke, Ed O' Brien, Jonny Greenwood,
Colin Greenwood, Phil Selway
Ethical/ legal regulatory issues
Royalties for the use of Radiohead's music, which EMI would receive
Evaluation of programme:
Light-hearted, in depth review on Radiohead's career from 1994's
Pablo Honey up to 2003's Hail To The Theif. I'd say the target audience would be loyal die-hard Radiohead fans of all social classes.

LISTENING DIARY WEEK…….
19/02/2013

…………………………………………

Name of Station:
BBC Radio 6 Music
Programme name:
The Radiohead Story Episode 1
Target audience:
18-40
Genre:
Music
Format:
Pre-recorded
Structure:           
Steve Lamacq, Thom Yorke, Ed O' Brien, Jonny Greenwood, Colin Greenwood, Phil Selway
Contributors:
Steve Lamacq
Ethical/ legal regulatory issues
 Royalties for the use of Radiohead's music, which EMI would receive
Evaluation of programme:
Light-hearted, in depth review on Radiohead's career from 1994's
Pablo Honey up to 2003's Hail To The Theif. I'd say the target audience
would be loyal die-hard Radiohead fans of all social classes.


  
LISTENING DIARY WEEK …….
17/01/2013

…………………………………………

Name of Station:
BBC Four
Programme name:
Stephen K. Amos, Life: An Idiot’s Guide, Series 2, Role Models
Target audience:
18-40
Genre:
Comedy
Format:
Pre-recorded
Structure:           
Introduction, Presenter, Audience, Contributing Comedian, Audience,
Presenter, Contributing Comedian, Audience, Presenter etcetera close…
Contributors:
Stephen K. Amos, Sarah Kendall, Grainne Maguire, James Acaster
and the Audience.
Ethical/ legal regulatory issues
Comment involving ‘smacking’ children, comment involving a sexual slur
referring to Bill Clinton/Lewinsky Scandal

Comment referring to bestiality
Evaluation of programme:
Light-hearted pre-watershed comedy slot, a variety of different
stand-up 
comedians with differing styles, catering for predominantly
a middle class audience.